jueves, 23 de junio de 2011

Le martyre de Saint Sébastien

Saint Sébastien, Boticelli, 1474.



"Et maintenant je me désarme!
Je suis l'Archer certain du but. Voici l'arc double, le carquois fourni
de dix-sept sagettes ailées
et le brassard oú est gravée
la figure zodiacale
du Sagittaire criblé d'astres.
Je te les comments. Je les offre
á mes élus de la cohorte
d'Emése. Voici.
Je suis libre! "

La cour des Lys, Le martyre de Saint Sébastien (1911), Claude Achilles Debussy. Texte de Gabriele D'Annunzio.
(Le martyre de Saint Sébastien is forbidden in the Index of the Vaticano)

martes, 21 de junio de 2011

Teatro del Mondo

Teatro del mondo, Venice, Aldo Rossi 1979




"The emergence of relations among things, more than the things themselves, always gives rise to new meanings" - Aldo Rossi



sábado, 11 de junio de 2011

Magic Slim

Magic Slim, at Kingston Mines, Chicago

miércoles, 1 de junio de 2011

Ginkgo Biloba

Gingo biloba

Dieses Baums Blatt, der von Osten
Meinem Garten anvertraut,
Giebt geheimen Sinn zu kosten,
Wie's den Wissenden erbaut,

Ist es Ein lebendig Wesen,
Das sich in sich selbst getrennt?
Sind es zwei, die sich erlesen,
Daß man sie als Eines kennt?

Solche Frage zu erwidern,
Fand ich wohl den rechten Sinn,
Fühlst du nicht an meinen Liedern,
Daß ich Eins und doppelt bin?

Johann Wolfgang von Goethe, sept 1815

This leaf from a tree in the East,
Has been given to my garden.
It reveals a certain secret,
Which pleases me and thoughtful people.
Is it a living being,
Which has separated in itself?
Or are these two, who chose
To be recognized as one?
Answering this kind of question,
Haven't I found the proper meaning,
Don't you feel in my songs,
That I'm one and double?

domingo, 29 de mayo de 2011

Altered and adorned

Andrea Mantegna (1431-1506), Battle of the Sea Gods, 1470/1500.

ALTERED AND ADORNED,
using renaissance prints in daily life.


"Though Renaissance-era prints are typically kept out of sight in museum vaults today, these decorative objects were once a central part of everyday life—used, abused, adored, and adorned by their owners. Through over 100 objects, this exhibition showcases how early print owners handled these versatile artworks, from annotating them or cutting and pasting them onto books, boxes, and walls to transforming them into three-dimensional objects.

The experimental world of printmaking in the mid-15th and 16th centuries inspired an array of related objects, including illustrated books, wearable ornaments, printed sundials, anatomical charts with liftable flaps, and devotional images. The rich and long-overlooked history of this era’s prints comes to life in this exhibition, which focuses on their various uses and functions in the past as reflected in their condition today."

The Art Institute of Chicago April 30, 2011–July 10, 2011


jueves, 26 de mayo de 2011

Alligators all around


"What would you like to eat?"
"I don't care!"
"Some lovely cream of wheat?"
"I don't care!"
"Don't sit backwards on your chair"
"I don't care"
"Or pour syrup on your hair"
"I don't care"

Nutshell library, Maurice Sendak (1962)

miércoles, 11 de mayo de 2011

Oι̉δίπoυς τύραννoς



Gustave Moreau (1864)





Οἰδίπους

ἰοὺ ἰού: τὰ πάντ᾽ ἂν ἐξήκοι σαφῆ.

ὦ φῶς, τελευταῖόν σε προσβλέψαιμι νῦν,

ὅστις πέφασμαι φύς τ᾽ ἀφ᾽ ὧν οὐ χρῆν, ξὺν οἷς τ᾽

οὐ χρῆν ὁμιλῶν, οὕς τέ μ᾽ οὐκ ἔδει κτανών


Oedipus:

Ah me! ah me! all brought to pass, all true!

O light, may I behold thee nevermore!

I stand a wretch, in birth, in wedlock cursed,

A parricide, incestuously, triply cursed!


Oι̉δίπoυς τύραννoς, Oidipous Tyrannos, Oedipus Rex. Sófocles (430 a.C)

martes, 10 de mayo de 2011

Fitzcarraldo

Fitzcarraldo 1982, Werner Herzog / Klaus Kinski

domingo, 8 de mayo de 2011

Ύπνος

Bronce head of Hypnos.
Possibly Roman, 1st-2nd century AD;
copy of a Hellenistic original,
Found at Civitella d'Arno, near Perugia, Italy


"Hypnos first appears in mythology in the works of one of the earliest Greek poets, Hesiod (lived around 700 BC), where Hypnos (Sleep) and Thanatos (Death) were the terrible sons of Nyx (Night). Hypnos was, however, generally viewed as benevolent to mankind. The god was frequently mentioned in literary sources, and associated with poppies and sleep-inducing herbs. Hypnos' wings allowed him to move swiftly over land and sea, and to fan the foreheads of the weary until they fell asleep. His son was Morpheus, the personification of dreams.

Although he was frequently shown in vase painting, sculptural representations of Hypnos were rare. This bronze head belongs with a series of similar heads and figures found mostly in the western Mediterranean, particularly in France, Italy and Spain. The statue type represented Hypnos either as an adolescent or, in some variants, as an even younger child. He was shown running forwards, holding poppies in his right hand and a drinking-horn in his left, from which presumably he poured a sleeping potion. This head shows how wings sprouted from his temples, and his hair was elaborately arranged into a series of luxurious locks, some falling freely, others tied in a knot at the back of the head."

domingo, 1 de mayo de 2011

Junya Ishigami's table






Junya Ishigami, table for a restaurant